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I'm a bit too tired right now to comment the process of mounting, it will have to wait until everything is finished. We'll continue tomorrow. |
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I'm a bit too tired right now to comment the process of mounting, it will have to wait until everything is finished. We'll continue tomorrow. |
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The façade looking very empty and all the pieces for my art piece inside the sports hall waiting to be mounted. |
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The other day I got the opportunity to see Camilla's wall piece for a school (a public commission). It's very good and very Camilla (which is the same thing), but I won't show you more than this... you will have to wait until it's mounted and Camilla has posted about it. |
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Today - even though I'm still on vacation - I checked out how the powder spray painted white worked together with what I masked out three weeks ago. I must say I'm pleased with the result! The other parts in colour looked fine as well (I'll show you tomorrow), the only thing left to do for the powder spray paint company Guson is to lacquer with a special anti-graffiti layer. In two weeks time I'll be in the middle of mounting the art piece. But until that week: no work ... |
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Picasso's last home and studio, from the book "Goodbye Picasso" I'm still on vacation, dreaming about a bigger studio... I was Local Pigeon's Storify on July 18th |
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Artist Ola Åstrand gave a lecture at the HDK summer course in screenprinting today. Ola works a lot with screenprint in big format in his art. He prints in 70 x 100 cm and then glues the pieces together to form bigger pictures directly on the wall. (like many street artists working with posters) The display, the installation, in his exhibitions are of great importance. I found it interesting that he based the lecture on his blog where he had documented exhibition installations as well as his art. |
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After the lecture we visited Ola's retrospective exhibition at Galleri Thomassen - the exhibition was actually over, but as it was still there we got to see it. Ola was the perfect lecturer for the course. |
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The initial short and intense screenprinting period (3 days) of the summer course is over; test prints with smaller frames on different materials and getting the hang of printing big format on vacuum table and with a "printing arm" (not sure about the English word for this). My students completed the first assignment together: an 18 meters long print based on the first scene of Shakespeare's The Tempest (in an edition of two, with variations). |
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SCENE I. On a ship at sea: a tempestuous noiseof thunder and lightning heard.Master Boatswain!Boatswain Here, master: what cheer?Master Good, speak to the mariners: fall to't, yarely, or we run ourselves aground: bestir, bestir. |
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A confused noise within: 'Mercy on us!'-- 'We split, we split!'--'Farewell, my wife and children!'-- 'Farewell, brother!'--'We split, we split, we split!' |
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Today when I was at KKV (artist-run collective workshops) preparing for my course I bumped into Emma Ströde who was finishing up a commissioned rug. She learned tufting through an exchange; casting bronz sculpture for a lesson in tufting. The small rugs she made of left over yarn - they look like cakes, don't they? |
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I have a light table, but sometimes I prefer working directly on the window glass. (it's Red Riding Hood's face) |
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this might just interest screen printing buffs: I recently learned that you can fold a triangular squeegee support out of cardboard, attach it with scotch - and then get less messy while printing (before I just leaned the squeegee on the border of the frame). For the HDK (design school) summer course starting on Friday I've been gathering some examples of screenprinting in less ordinary ways: Luke O'Sullivan screenprints on wood Various and Gould also use screenprint - but for making their "collage-poster-street art" |
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real size drawing of the wolf. |
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Red Riding Hood playing in a pond Yesterday we delivered all the aluminium parts to be painted ... but first we had to wait - for 4 hours - for the elevator to be repaired! |
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print showing the colour possibilities when working in transparent layers (though we won't work with cmyk) |
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transparent green in layers printed on soft transparent plastic. Would be great for working with shadows |
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I printed on woven glass fabric - it gives the image a pixelated feeling. Bubble wrap is also great for pixelating. |